SAVERY, Roelandt
Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge

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SAVERY, Roelandt Crab Fishermen at oil painting


Crab Fishermen at
Oil on panel, 38,6 x 33,9 cm Museum voor Schone Kunsten, Ghent
Painting ID::  9071
SAVERY, Roelandt
Crab Fishermen at
Oil on panel, 38,6 x 33,9 cm Museum voor Schone Kunsten, Ghent
   
   
     

SAVERY, Roelandt The Garden of Eden  af oil painting


The Garden of Eden af
Oil on panel, 54 x 87 cm Koninklijk Museum voor Schone Kunsten, Antwerp
Painting ID::  9072
SAVERY, Roelandt
The Garden of Eden af
Oil on panel, 54 x 87 cm Koninklijk Museum voor Schone Kunsten, Antwerp
   
   
     

SAVERY, Roelandt Horses and Oxen Attacked by Wolves ar oil painting


Horses and Oxen Attacked by Wolves ar
Oil on canvas, 111 x 160 cm Rockox House, Antwerp
Painting ID::  9073
SAVERY, Roelandt
Horses and Oxen Attacked by Wolves ar
Oil on canvas, 111 x 160 cm Rockox House, Antwerp
   
   
     

SAVERY, Roelandt Landscape with Birds ar oil painting


Landscape with Birds ar
1628 Oil on panel, 42 x 57 cm Kunsthistorisches Museum, Vienna
Painting ID::  9074
SAVERY, Roelandt
Landscape with Birds ar
1628 Oil on panel, 42 x 57 cm Kunsthistorisches Museum, Vienna
   
   
     

SAVERY, Roelandt Landscape with Wild Animals a oil painting


Landscape with Wild Animals a
Oil on canvas, 82,5 x 145 cm Rockox House, Antwerp
Painting ID::  9075
SAVERY, Roelandt
Landscape with Wild Animals a
Oil on canvas, 82,5 x 145 cm Rockox House, Antwerp
   
   
     

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     SAVERY, Roelandt
     Flemish Northern Renaissance Painter, 1576-1639 Flemish Northern Renaissance Painter, 1576-1639.Painter, draughtsman and etcher, brother of (1) Jacob Savery I. The subject and miniaturist precision of his earliest dated work, Birds by a Pond (1600; St Petersburg, Hermitage), reflect the influence of Jacob, his presumed teacher. The strong Flemish current in Amsterdam c. 1600 is apparent in the Village Edge

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